Meaning: This quote by George Baker reflects the essence of the great periods in the history of drama. It highlights the importance of freedom of choice and subject, freedom of individual treatment, and an engaged audience in creating impactful and enduring theatrical works. Let's delve deeper into the significance of each aspect and explore how they have contributed to the evolution and success of dramatic performances throughout history.

The notion of "perfect freedom of choice and subject" in the drama refers to the creative liberty that playwrights and artists have enjoyed during pivotal periods in theatrical history. This freedom allows them to explore a wide range of themes, narratives, and characters, transcending societal norms and conventions. From ancient Greek tragedies to modern experimental theater, the freedom to choose diverse subjects has led to the creation of thought-provoking and boundary-pushing works that have left a lasting impact on audiences and the art form itself.

Moreover, "perfect freedom of individual treatment" underscores the significance of artistic interpretation and expression within the dramatic realm. It emphasizes the unique voice and perspective of each playwright, director, and performer, as they bring their personal touch to the material they are working with. This individual treatment is crucial in fostering diversity and innovation within the dramatic arts, allowing for a rich tapestry of styles and approaches that captivate and challenge audiences across different eras and cultures.

The quote also highlights the role of the audience in the theatrical experience. An "audience eager to give itself to sympathetic listening" signifies the receptive and participatory nature of theater-goers who are open to engaging with the material presented to them. This receptive atmosphere enables a deep connection between the performers and the audience, fostering an exchange of emotions, ideas, and perspectives. It also suggests that audiences are willing to receive not only entertainment but also instruction, indicating a level of intellectual and emotional investment in the dramatic experience.

When these elements align, whether in the ancient amphitheaters of Greece, the Elizabethan theaters of Shakespeare's time, or the avant-garde stages of the 20th century, they have historically led to the emergence of groundbreaking theatrical achievements. The great periods of drama, such as the Renaissance, the Golden Age of Spanish theater, and the innovations of 20th-century playwrights and directors, have been characterized by the convergence of freedom of choice and subject, individual treatment, and receptive audiences.

During these periods, playwrights and theater practitioners have pushed the boundaries of storytelling, form, and performance, leading to enduring masterpieces that continue to resonate with audiences to this day. From the timeless tragedies of Sophocles and Euripides to the thought-provoking works of Bertolt Brecht and Samuel Beckett, the influence of these great periods continues to shape the landscape of contemporary theater and inspire new generations of artists and audiences.

In conclusion, George Baker's quote encapsulates the essential ingredients that have fueled the flourishing of dramatic creativity and excellence throughout history. The interplay of freedom of choice and subject, individual treatment, and an engaged audience has been instrumental in shaping the great periods of the drama, fostering a legacy of enduring and impactful theatrical works that continue to captivate and enlighten audiences around the world.

With these key components in place, the stage is set for the exploration of the human condition, the expression of diverse perspectives, and the celebration of the transformative power of storytelling. As we continue to navigate the ever-evolving landscape of theater, we can look to the wisdom encapsulated in Baker's quote as a guiding light, reminding us of the profound impact that perfect freedom and receptive audiences can have on the dramatic arts.