Secular artists see themselves with performance; they are more self involved, presentational.

Profession: Actor

Topics: Performance, Artists, Self,

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Meaning: This quote by Boris Kodjoe, a well-known actor, delves into the idea of how secular artists perceive themselves and their work in comparison to their non-secular counterparts. The quote suggests that secular artists approach their craft with a focus on performance, self-involvement, and presentation. Let's explore this idea further.

Secular art is generally defined as art that is not primarily concerned with religious or spiritual themes. It encompasses a wide range of artistic expressions, including visual arts, literature, music, and performing arts. In the context of performing arts, secular artists are individuals who create and perform works that are not rooted in religious or spiritual traditions.

When Boris Kodjoe mentions that secular artists see themselves with performance, he is highlighting the importance of the act of performing in their artistic expression. For many secular performers, the act of being on stage or in front of an audience is central to their artistic identity. Whether it's acting in a film, singing on a stage, or dancing in a production, the performance itself becomes a defining aspect of their artistry.

Furthermore, Kodjoe's reference to secular artists being more self-involved suggests that these artists are often deeply engaged with their own identities, emotions, and experiences as they create and perform their work. This self-involvement can manifest in the deeply personal nature of their artistic expression, as they draw inspiration from their own lives and perspectives.

The notion of secular artists being presentational speaks to the idea that their work is often focused on the act of presenting themselves to an audience. This could involve utilizing elements of showmanship, theatricality, and visual aesthetics to engage and captivate viewers. Whether it's through elaborate stage designs, striking costumes, or charismatic stage presence, secular artists often prioritize the visual and performative aspects of their work.

It's important to note that while Kodjoe's quote offers insight into the mindset of secular artists, it also raises questions about the role of spirituality and religious themes in artistic expression. Non-secular artists, who may draw inspiration from religious or spiritual sources, often approach their work with a different set of motivations and perspectives. Their art may be infused with themes of faith, transcendence, and divine inspiration, which can result in a different kind of artistic presence and presentation.

In the context of the quote, it's also worth considering the potential impact of cultural and societal influences on the perceptions and practices of secular artists. The emphasis on performance, self-involvement, and presentation may reflect broader trends in contemporary arts and entertainment, where individualism, visual spectacle, and personal narratives hold significant cultural currency.

Ultimately, Boris Kodjoe's quote offers a thought-provoking perspective on the nature of secular artistry and the ways in which secular artists view and engage with their own creative endeavors. It invites us to consider the diverse motivations, approaches, and expressions that shape the world of secular art and performance.

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