Meaning: This quote by Willem de Kooning, a prominent Dutch-American abstract expressionist artist, provides thought-provoking insight into the concept of style in art. De Kooning was known for his bold and expressive paintings, and his views on style challenge traditional notions of artistic presentation and representation. In this quote, de Kooning appears to critique the idea of style as a facade or deception, suggesting that it can be used as a means of concealment or obfuscation. The reference to the Greeks hiding behind their columns adds a historical and cultural dimension to the quote, inviting further exploration of the relationship between style, art, and identity.

De Kooning's assertion that "style is a fraud" may be interpreted as a rejection of the notion that artistic merit is solely dependent on the adherence to a particular aesthetic or visual language. Instead, he seems to advocate for a more authentic and unguarded approach to art-making, one that transcends the confines of conventional stylistic conventions. This perspective aligns with the ethos of abstract expressionism, a movement with which de Kooning is closely associated, which prioritizes emotional intensity and spontaneous creativity over prescribed stylistic parameters.

The metaphor of the Greeks "hiding behind their columns" further elucidates de Kooning's skepticism towards style. In ancient Greek architecture, columns were used as structural supports for buildings, but they also served a symbolic and aesthetic purpose, contributing to the grandeur and visual harmony of the edifices they adorned. By likening style to the columns behind which the Greeks concealed themselves, de Kooning may be implying that style can function as a shield or a diversion, deflecting attention from the true essence or intentions of the artist.

The quote also invites consideration of the role of cultural and historical influences on artistic style. The reference to the Greeks, who are renowned for their enduring contributions to art, philosophy, and civilization, suggests that de Kooning's critique extends beyond the contemporary art world to encompass broader historical and cultural contexts. It prompts reflection on the ways in which artistic traditions, including the classical legacy of ancient Greece, can both inspire and constrain artists as they navigate their creative endeavors.

De Kooning's perspective on style as a form of subterfuge may also be interpreted in the context of his own artistic practice. As a leading figure in the abstract expressionist movement, de Kooning's work often defied stylistic categorization, encompassing elements of figuration, abstraction, and gestural mark-making. His paintings exude a visceral energy and a sense of raw spontaneity, challenging viewers to engage with the emotional and psychological dimensions of his art rather than fixating on a particular stylistic "look."

In conclusion, Willem de Kooning's quote "Style is a fraud. I always felt the Greeks were hiding behind their columns" offers a compelling and provocative perspective on the nature of artistic style. By questioning the authenticity and integrity of style, de Kooning encourages a reevaluation of the ways in which artists engage with visual language, historical traditions, and personal expression. His assertion challenges us to look beyond the veneer of style and delve into the deeper layers of meaning and intention that underpin artistic creation.