Meaning: The quote "Once you became associated with a children's show, you're finished." by Alexis Korner, a musician, reflects a sentiment often shared by artists and performers regarding the potential impact of being involved in children's programming on their careers. This quote highlights a common perception within the entertainment industry that association with children's content may lead to a loss of credibility or relevance in the eyes of adult audiences.

Alexis Korner, a British blues musician and radio broadcaster, was a prominent figure in the UK music scene during the 1960s and 1970s. As a pioneer of the British blues movement, Korner's views on the potential consequences of involvement in children's programming offer insight into the complex dynamics of artistic reputation and public perception.

The quote suggests that once an artist becomes associated with a children's show, their standing in the industry may be diminished, potentially leading to a decline in career opportunities and artistic recognition. This sentiment reflects broader concerns about the impact of public image and associations on an artist's professional trajectory.

The notion that involvement in children's programming could be detrimental to an artist's career raises questions about the perceived hierarchy of artistic endeavors and the potential stigma attached to content aimed at younger audiences. It speaks to the enduring tension between artistic integrity and commercial considerations, as well as the challenges artists face in navigating public perception and professional opportunities.

While the quote may capture a prevailing attitude within certain segments of the entertainment industry, it also invites critical examination of the underlying assumptions and biases that inform such perspectives. It prompts consideration of the broader cultural attitudes towards children's media and the ways in which these attitudes intersect with notions of artistic legitimacy and success.

In recent years, there has been a growing recognition of the value and impact of children's programming, with many artists and creators actively engaging in this space as a means of reaching diverse audiences and contributing to the cultural enrichment of young viewers. This shift challenges traditional notions of artistic boundaries and underscores the importance of inclusive and multifaceted creative expression.

Moreover, the quote by Alexis Korner invites reflection on the evolving nature of the entertainment industry and the ways in which artists navigate changing audience expectations and industry dynamics. As the boundaries between different forms of media continue to blur, the distinction between "adult" and "children's" content becomes increasingly fluid, prompting a reevaluation of the perceived consequences of association with children's programming.

Ultimately, the quote serves as a starting point for discussions about the complexities of artistic reputation, the changing landscape of media and entertainment, and the enduring significance of engaging with diverse audiences. It challenges us to critically examine the underlying assumptions that shape our perceptions of artistic endeavors and encourages a more nuanced understanding of the multifaceted relationship between artists, audiences, and the content they create.