I would say that if you don't feel like talking to the crowd something is wrong and if you force yourself to talk to them things will happen and to that extent things aren't choreographed.

Profession: Musician

Topics: Force, Talk, Talking, Will, Wrong,

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Meaning: Leo Kottke, an accomplished musician known for his innovative fingerpicking style on the acoustic guitar, has provided an insightful perspective on performing for a crowd. In the quote, Kottke suggests that if a performer does not feel inclined to engage with the audience, it may indicate an underlying issue. He implies that genuine interaction with the audience should not be forced but rather should naturally unfold, leading to an authentic and unchoreographed experience for both the performer and the audience.

Kottke's statement carries profound implications for performers across various disciplines, not just musicians. It underscores the importance of genuine connection and communication between the performer and the audience, emphasizing the role of authenticity in creating a meaningful and memorable experience.

When Kottke mentions that "if you don't feel like talking to the crowd something is wrong," he is highlighting the significance of emotional and psychological well-being for performers. It is not uncommon for artists and performers to experience moments of self-doubt, anxiety, or disconnection from their audience. Kottke's words serve as a reminder that these feelings should not be ignored but rather acknowledged and addressed. By recognizing and understanding these emotions, performers can work towards resolving any internal conflicts and ultimately provide a more authentic and engaging performance.

Furthermore, Kottke's assertion that "if you force yourself to talk to them things will happen" suggests that genuine interaction with the audience cannot be contrived. Instead, it should emerge organically from the performer's willingness to engage with the audience. Forcing oneself to interact may lead to a disingenuous or inauthentic experience, potentially detracting from the overall performance. Kottke's emphasis on allowing things to happen naturally underscores the value of spontaneity and the unpredictable moments that can arise during a live performance.

By stating that "to that extent things aren't choreographed," Kottke challenges the notion of a meticulously planned and scripted performance. While preparation and rehearsal are essential aspects of any successful performance, Kottke's perspective suggests that the most impactful moments often arise from unscripted interactions and genuine spontaneity. This highlights the dynamic and fluid nature of live performances, where the energy and connection between the performer and the audience can shape the experience in unexpected ways.

In summary, Leo Kottke's quote encapsulates the fundamental importance of genuine connection and communication between performers and their audience. It serves as a reminder for performers to acknowledge their emotions, engage authentically with their audience, and embrace the unpredictable nature of live performance. Kottke's insights offer valuable guidance for artists and performers across disciplines, emphasizing the significance of authenticity and spontaneity in creating impactful and memorable experiences for both the performer and the audience.

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