At that point it certainly would be called abstract. That is to say, you had a model and there'd be one or two or three people there drawing the model but otherwise you had abstractions all around the room, even though the model was in front of you.

Profession: Artist

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Meaning: The quote by Lee Krasner, an American abstract expressionist artist, offers insight into the concept of abstraction in art. Krasner was a prominent figure in the New York art scene in the mid-20th century, and her reflections on the nature of abstraction provide valuable perspectives on the artistic process.

In this quote, Krasner refers to a scenario in which a model is present for artists to draw, yet the overall environment is filled with abstractions. She suggests that despite the tangible presence of the model, the surrounding elements of the room, as interpreted and rendered by the artists, become abstractions themselves. This highlights the transformative power of the artist's perception and interpretation, wherein the act of drawing from a model becomes a process of abstracting the surrounding elements.

Krasner's emphasis on the presence of abstractions "all around the room" underscores the pervasive nature of abstraction in art. It points to the idea that abstraction is not limited to the subject being depicted, but extends to the entire artistic environment and the artist's interaction with it. This speaks to the depth and complexity of abstraction as a creative concept, suggesting that it encompasses not only the physical forms being represented, but also the artist's subjective experience and interpretation of those forms.

Furthermore, Krasner's use of the phrase "it certainly would be called abstract" implies a recognition of the transformative nature of artistic representation. She acknowledges that the act of drawing from a model, when infused with the artist's unique perspective and style, results in a representation that transcends mere imitation and enters the realm of abstraction. This highlights the dynamic relationship between representation and abstraction in art, illustrating how the act of depicting a subject can give rise to abstract elements and interpretations.

Krasner's own artistic practice provides valuable context for understanding her perspective on abstraction. As a leading figure in the abstract expressionist movement, Krasner was known for her innovative approach to painting, which often involved bold, gestural brushwork and a focus on non-representational forms. Her work reflected a deep engagement with abstraction, and her insights into the nature of abstraction arise from her own experiences as an artist working within this mode of expression.

In conclusion, Lee Krasner's quote offers a thought-provoking exploration of abstraction in art, shedding light on its multifaceted nature and the ways in which it permeates the artistic process. Her reflections underscore the transformative power of the artist's perception and interpretation, as well as the dynamic interplay between representation and abstraction. Through her words, Krasner invites us to consider the expansive and immersive nature of abstraction in art, emphasizing its capacity to transcend the confines of physical representation and engage with the rich complexities of the artistic environment.

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