I knew de Kooning and I went to his studio so I knew about de Kooning's work. But only a little handful knew about it, you know. Maybe there were ten people that knew about it.

Profession: Artist

Topics: Work, People,

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Meaning: This quote by Lee Krasner sheds light on the relatively unknown status of Willem de Kooning's work during a particular period in his career. It also highlights the close relationship between Krasner and de Kooning, as well as the limited awareness of de Kooning's art within the art world at that time.

Willem de Kooning was a Dutch-American abstract expressionist artist who gained significant recognition for his innovative and influential work in the mid-20th century. His distinct style, characterized by dynamic brushwork, vibrant colors, and a focus on the human figure, positioned him as a leading figure in the abstract expressionist movement. However, as Krasner's quote suggests, de Kooning's work was not widely known or appreciated by the broader public or art community during a certain period.

Lee Krasner, a prominent abstract expressionist painter in her own right, was married to de Kooning and played a significant role in supporting and promoting his artistic endeavors. Her statement reflects her intimate knowledge of de Kooning's work and the close connection she shared with him as an artist and a partner. Krasner's understanding of de Kooning's artistry and creative process provided her with a unique perspective on the significance of his work, even when it was not widely recognized or celebrated.

The quote also underscores the idea that artistic recognition and appreciation are often subjective and limited to a select few individuals within the art world. Despite de Kooning's groundbreaking contributions to abstract expressionism, his work initially remained under the radar, known only to a small circle of insiders and aficionados. This aspect of the quote serves as a reminder of the complexities of artistic visibility and the role of personal connections, advocacy, and cultural context in shaping an artist's reputation and legacy.

Furthermore, Krasner's assertion that "only a little handful knew about it" suggests that the understanding and appreciation of de Kooning's work were confined to a small, discerning audience. This notion speaks to the challenges faced by avant-garde artists who often operate at the fringes of mainstream artistic discourse, awaiting broader recognition and validation of their creative contributions.

In retrospect, the quote offers insight into the dynamics of artistic recognition and the evolution of an artist's reputation over time. While de Kooning eventually achieved widespread acclaim and is now regarded as a pivotal figure in the history of modern art, Krasner's observation captures a specific moment in his career when his artistic significance was known to only a select few.

Overall, Lee Krasner's quote provides a compelling glimpse into the interplay of artistic visibility, personal relationships, and the nuances of artistic reception. It serves as a testament to the intricate pathways through which artists and their work navigate the terrain of recognition, appreciation, and historical significance within the broader cultural landscape.

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