Meaning: The quote "First of all, I choose the great roles, and if none of these come, I choose the mediocre ones, and if they don't come, I choose the ones that pay the rent" by Stanislaw Lec, a Polish poet and aphorist, reflects the pragmatism and practicality often required in pursuing a career in the arts. It speaks to the reality of navigating the creative industry, where the idealistic pursuit of great artistic roles may need to be balanced with the need to sustain oneself financially.

Stanislaw Lec's quote encapsulates the mindset of many artists who must grapple with the tension between artistic fulfillment and economic stability. The notion of choosing "great roles" first suggests a commitment to artistic excellence and the pursuit of meaningful, impactful work. This aligns with the aspiration of many actors and performers to engage in projects that challenge them creatively, allow them to explore complex characters, and contribute to the cultural conversation.

However, the recognition that great roles may not always be readily available acknowledges the competitive and unpredictable nature of the entertainment industry. Even exceptionally talented individuals may encounter periods where such opportunities are scarce. In these circumstances, the quote suggests a willingness to consider "mediocre" roles – those that may not be artistically fulfilling or groundbreaking but still offer the chance to practice the craft and gain experience.

Finally, the quote acknowledges the practical necessity of choosing roles that "pay the rent." This aspect of the quote speaks to the economic realities faced by many artists, particularly those in fields where consistent work and financial stability can be elusive. The need to meet basic financial obligations can sometimes take precedence over artistic preferences, leading individuals to accept roles primarily for the sake of earning a living.

In a broader sense, Lec's quote can be seen as a reflection of the compromises and trade-offs that individuals in creative professions often confront. It highlights the balancing act between artistic ambition and the practical demands of sustaining a livelihood. The quote also underscores the resilience and adaptability required to navigate an industry where success and opportunities are not always guaranteed.

It's important to note that Lec's quote does not necessarily advocate for a purely transactional approach to one's artistic career. Rather, it acknowledges the need for flexibility and pragmatism while still valuing the pursuit of artistic excellence. It recognizes that the idealized path of exclusively choosing "great roles" may not always be feasible, and that navigating the complexities of the industry often involves making strategic choices based on a blend of artistic, professional, and financial considerations.

In conclusion, Stanislaw Lec's quote captures the multifaceted nature of pursuing a career in the arts, where the quest for artistic fulfillment intersects with the practical realities of economic sustainability. It resonates with individuals in creative fields who must navigate the ebb and flow of opportunities, make strategic decisions about the roles they take on, and ultimately find a balance between artistic passion and financial stability. The quote serves as a reminder of the resilience and adaptability required to thrive in an industry where the pursuit of great artistry must often coexist with the need to make ends meet.