If the world would only build temples to Machinery in the abstract then everything would be perfect. The painter and sculptor would have plenty to do, and could, in complete peace and suitably honored, pursue their trade without further trouble.

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Topics: Peace, Trade, Trouble, World,

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Meaning: This quote by Wyndham Lewis, a British painter and writer, reflects his belief in the transformative power of machinery and its potential to revolutionize the world. In this quote, Lewis suggests that if the world were to prioritize the construction of temples dedicated to machinery, it would lead to a state of perfection. He implies that such a focus on machinery would alleviate the need for traditional artistic pursuits, allowing painters and sculptors to work in peace and be appropriately esteemed for their craft.

Lewis' perspective can be understood in the context of the early 20th century, a period marked by rapid industrialization and technological advancements. During this time, the influence of machinery and the rise of the machine age had a profound impact on art, culture, and society as a whole. Many artists and thinkers were captivated by the potential of machinery to reshape the world and saw it as a source of inspiration and innovation.

By advocating for the construction of temples to Machinery, Lewis may be expressing a vision of a society that reveres and celebrates technological progress. He envisions a world where the pursuit of technological advancement takes precedence, and the creators and innovators in this field are esteemed in a manner similar to traditional artists. In this utopian vision, the focus on machinery would provide ample opportunities for creativity and craftsmanship, allowing artists to contribute to the technological landscape while being respected and honored for their contributions.

However, it's important to consider the underlying implications of Lewis' proposition. While he champions the idea of prioritizing machinery, his statement also raises questions about the potential consequences of such a singular focus. By suggesting that the construction of temples to Machinery would lead to a perfect world, Lewis may be overlooking the complexities and potential downsides of an overwhelmingly mechanized society.

In reality, the relationship between machinery and the arts is multifaceted. While machinery has undoubtedly influenced and inspired artistic expression, it has also been a source of contention and concern. The advent of industrialization and mass production raised issues of alienation, dehumanization, and the loss of traditional craftsmanship. Artists and thinkers, such as the members of the Arts and Crafts movement, responded to these challenges by advocating for a return to handmade, artisanal work as a means of preserving creativity and individuality in the face of mechanization.

In the contemporary context, the intersection of machinery and art continues to be a subject of exploration and debate. The rise of digital technology and automation has brought new possibilities for artistic creation while also sparking discussions about the impact of technology on creativity, labor, and the human experience. Artists are incorporating digital tools, robotics, and other technological innovations into their work, blurring the boundaries between traditional artistic practice and the realm of machinery.

In conclusion, Wyndham Lewis' quote encapsulates a vision of a world where machinery takes center stage, providing abundant opportunities for artistic expression and innovation. While his perspective reflects the fascination with technological progress during his time, it also invites us to contemplate the intricate relationship between machinery and creativity. Ultimately, the quote prompts us to consider the implications of a society that prioritizes machinery and the potential transformations it could bring to the realm of art and culture.

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