Meaning: This quote from Mark Morris, a renowned dancer and choreographer, reflects a common dilemma faced by many individuals in the modern world. It captures the sentiment of appreciating and enjoying certain aspects of a creation or ideology while simultaneously disagreeing with other elements of it. In this case, Morris expresses admiration for the artistry of Walt Disney's work while denouncing the "horrible fascism" associated with it.

The mention of Walt Disney in the quote alludes to the complex legacy of the renowned animator, film producer, and entrepreneur. Disney is celebrated for his pioneering work in the field of animation, creating iconic characters and beloved stories that have left an indelible mark on popular culture. His creation of Disneyland and the enduring success of the Disney company have cemented his status as a visionary and innovator in the entertainment industry.

However, as Morris acknowledges, Disney's legacy is also marred by criticism related to his political views and alleged associations with anti-Semitic and racist attitudes. Some scholars and critics have highlighted instances of racial stereotypes and gender roles perpetuated in Disney's early animated films, as well as his controversial testimony before the House Un-American Activities Committee during the Red Scare era.

The mention of "horrible fascism" in Morris's quote likely refers to the perception of authoritarian or oppressive tendencies within Disney's personal or professional conduct. While the specifics of Morris's critique are not elaborated upon in the quote, it raises important questions about the ethical and moral dimensions of consuming and appreciating cultural products that may be associated with troubling ideologies or actions.

Morris's statement also touches on the broader issue of reconciling conflicting feelings or perspectives towards the work of artists, creators, and cultural figures. It prompts us to consider how we engage with and interpret the art and legacy of individuals whose personal beliefs or actions may diverge from our own values or principles. This internal conflict is not limited to Disney's legacy but extends to numerous other instances in the realms of art, literature, music, and popular culture.

In navigating these complexities, individuals often grapple with the concept of separating the art from the artist, a debate that has gained prominence in contemporary discourse. This concept involves the ability to appreciate and critique a work of art independently of the creator's personal conduct or beliefs. It raises questions about the extent to which an artist's actions or beliefs should influence our evaluation and enjoyment of their creations.

Mark Morris's admission of enjoying aspects of Walt Disney's art while disapproving of other elements exemplifies the nuanced approach that many individuals adopt when grappling with conflicting sentiments towards cultural icons. It underscores the notion that appreciation and criticism can coexist, and that engaging with art involves navigating a complex interplay of aesthetic, ethical, and ideological considerations.

In conclusion, Mark Morris's quote encapsulates the complexities of engaging with the legacies of influential figures such as Walt Disney. It serves as a poignant reminder of the multifaceted nature of art, prompting us to critically examine the ethical and moral dimensions of the cultural products we consume. By acknowledging the dichotomy of enjoying elements of a creator's work while condemning others, Morris prompts us to reflect on our own relationships with art and the individuals who produce it.