Meaning: The quote by Richard Morris, a clergyman, highlights a concern about the quality and consistency of music programs in Novus Ordo churches in the context of the Roman Catholic tradition. The term "Novus Ordo" refers to the Mass of Paul VI, which was introduced after the Second Vatican Council in the 1960s. The quote suggests that there are very few churches within this tradition in the country that have music programs that are both fully Catholic and of high quality.

The Novus Ordo Mass, also known as the Ordinary Form of the Roman Rite, represents the liturgical reform that followed the Second Vatican Council. It aimed to make the liturgy more accessible to modern congregations and to enhance their active participation. However, this transition also brought about changes in the musical traditions associated with the Roman Catholic Church.

In the pre-Vatican II era, the Roman Catholic Church had a rich musical heritage, with Gregorian chant and polyphonic choral music being integral parts of the liturgical experience. However, the implementation of the Novus Ordo Mass led to a reevaluation of the role of music in the liturgy, with a greater emphasis on congregational participation and the incorporation of vernacular languages.

Despite these changes, the quote by Richard Morris suggests that there is a perceived lack of fully Catholic music programs of quality consistent with the Roman rite tradition in many Novus Ordo churches. This raises questions about the state of music within the liturgical context of the Roman Catholic Church and the challenges faced in preserving and promoting its traditional musical heritage.

One possible interpretation of the quote is that Morris may be expressing a concern about the prevalence of contemporary or secular music within Novus Ordo churches, which may not align with the traditional musical ethos of the Roman Catholic Church. He may also be drawing attention to the need for a more concerted effort to uphold the musical traditions that have historically been associated with the Roman rite.

Furthermore, the reference to "fully Catholic music program" may imply a desire for music that reflects the theological and liturgical principles of the Catholic faith. This could encompass a repertoire that is rooted in sacred texts, reflects the liturgical calendar, and contributes to the sense of reverence and transcendence within the Mass.

It is important to note that the interpretation of the quote may vary depending on individual perspectives within the Roman Catholic Church. Some may share Morris's concerns about the state of music in the Novus Ordo Mass, while others may argue that there is a diverse range of musical expressions that can authentically contribute to the liturgical experience.

In addressing the concerns raised in the quote, it is essential to consider the role of liturgical documents and guidelines issued by the Vatican and diocesan authorities. These documents provide directives on the selection and performance of music within the Roman Catholic liturgy, aiming to ensure that it aligns with the theological and liturgical principles of the Church.

Additionally, fostering a deeper understanding of the rich musical heritage of the Roman Catholic Church and providing resources for the education and training of musicians and liturgical ministers could contribute to the development of music programs that are consistent with the Roman rite tradition.

Ultimately, the quote by Richard Morris prompts reflection on the role of music within the Novus Ordo Mass and the challenges and opportunities in upholding the traditions of the Roman Catholic Church within the context of the liturgy. It invites a dialogue on how best to integrate music that is both fully Catholic and of high quality, reflecting the spiritual and artistic richness of the Roman rite tradition.