Meaning: The quote "But nowadays hymns are the norm, because people don't have much else to sing" by Richard Morris, a clergyman, touches upon the changing nature of communal singing and the prevalence of hymns in contemporary worship. This statement reflects a broader shift in musical traditions within religious and communal settings, highlighting the evolving role of hymns and the reasons behind their continued prominence.

In the context of religious worship, hymns have long been an integral part of communal singing and spiritual expression. Traditionally, hymns have served as a means of conveying religious teachings, expressing devotion, and fostering a sense of unity among worshipers. The act of congregational singing has been a central component of many religious services, providing a collective expression of faith and a shared experience of worship.

However, the quote suggests that the prevalence of hymn singing in contemporary times may be influenced by the limited availability of alternative musical options. This observation speaks to broader changes in musical preferences and the ways in which communal singing is approached within contemporary culture. In many religious and communal settings, hymns have become the default choice for group singing, in part due to a perceived lack of alternative repertoire or a shift in the cultural significance of communal music-making.

One factor contributing to the prominence of hymns in contemporary worship is the familiarity and tradition associated with these musical compositions. Many hymns have been passed down through generations, becoming deeply ingrained in the collective memory and cultural identity of religious communities. As a result, hymns hold a special place in the hearts of worshipers, offering a sense of continuity and connection to the past.

Additionally, the enduring popularity of hymns may also be attributed to their lyrical content and thematic relevance. Hymns often convey timeless messages of faith, hope, and spiritual reflection, addressing universal themes that resonate with individuals across diverse backgrounds. The enduring relevance of these themes contributes to the enduring appeal of hymns as a form of communal expression and worship.

Furthermore, the quote's reference to the lack of alternative options for communal singing raises important questions about the evolving landscape of musical expression within religious and communal contexts. In an era characterized by diverse musical tastes and technological advancements, the ways in which people engage with music and communal singing are undergoing significant changes. The availability of a wide range of musical genres, styles, and cultural influences presents both opportunities and challenges for communal singing practices.

The quote by Richard Morris underscores the need for thoughtful consideration of the role of hymns and communal singing in contemporary worship and communal settings. It prompts reflection on the reasons behind the prevalence of hymns as the predominant form of group singing and encourages exploration of potential avenues for diversifying musical expressions within religious and communal contexts.

In conclusion, the quote "But nowadays hymns are the norm, because people don't have much else to sing" by Richard Morris, a clergyman, offers a thought-provoking perspective on the prevalence of hymns in contemporary communal singing. By examining the enduring significance of hymns, the cultural and historical context of communal singing, and the evolving landscape of musical expression, we can gain a deeper understanding of the role of hymns and communal singing in shaping communal worship and spiritual expression. This quote serves as a starting point for discussions about the changing nature of communal singing and the potential for embracing diverse musical traditions within religious and communal settings.