Meaning: The quote "The democratic and pedestrian character of the new Mass itself seems to invite the ditties that pass for hymns these days" by Richard Morris, a clergyman, reflects a critical perspective on contemporary hymns and their suitability for the modern Mass. In this statement, Morris seems to be expressing concern about the quality and appropriateness of the hymns that are commonly used in religious services.

The term "democratic" in this context likely refers to the inclusive nature of the Mass, which is meant to be accessible to all members of the congregation regardless of their social or economic status. It suggests that the Mass is intended to be welcoming and open to everyone, reflecting the principles of democracy. However, Morris also uses the word "pedestrian," which typically connotes something lacking in creativity or artistic value. This may indicate that he believes the hymns being chosen for the Mass are mundane or uninspired.

The phrase "invite the ditties that pass for hymns these days" suggests that the democratic and pedestrian nature of the Mass creates an environment that is conducive to the inclusion of simplistic or trivial songs that are not truly hymns in the traditional sense. Morris seems to be lamenting the decline in the quality of hymns being used in religious services, implying that the songs chosen may not be worthy of the sacredness and significance of the Mass.

It's important to consider the historical context in which this quote was made. The use of the term "new Mass" may refer to changes in the liturgy following the Second Vatican Council in the 1960s, which aimed to make the Mass more accessible and meaningful to contemporary worshippers. This period saw a significant shift in the way religious services were conducted, including changes to the language and music used in the Mass.

Morris's critique raises important questions about the role of music in religious worship. Hymns have long been a central part of Christian liturgy, serving as a means of praise, prayer, and spiritual reflection. The selection of hymns for the Mass is a crucial decision, as the music chosen can profoundly influence the worship experience of the congregation.

In examining Morris's statement, it's essential to recognize that musical preferences and styles vary widely among different congregations and individuals. What one person may consider a "ditty" could hold deep spiritual significance for another. The diversity of musical tastes within the Church presents a challenge in selecting hymns that resonate with the entire congregation while honoring the sacredness of the Mass.

Morris's concerns also touch on broader debates about the intersection of tradition and innovation in religious practices. The tension between preserving centuries-old hymns and embracing contemporary musical expressions is a perennial issue for religious communities. The desire to maintain the rich heritage of sacred music while also responding to the cultural and spiritual needs of the present day is a delicate balance that many churches grapple with.

The quote by Richard Morris offers a thought-provoking perspective on the state of hymnody in contemporary religious worship. It prompts us to consider the criteria by which we evaluate the suitability of hymns for the Mass and challenges us to reflect on the role of music in shaping our spiritual experiences. While the quote may express a critical view, it serves as a catalyst for deeper discussions about the significance of hymnody and the evolving nature of religious worship.