Meaning: The quote by Ben Shahn offers insight into his passion and involvement in photography, particularly in the context of organizing an exhibition at the College Art Association. Ben Shahn was a prominent American artist known for his work in photography, painting, and graphic design. His dedication to photography and the arts is evident in this quote, as he expresses his enthusiasm for the work being done and his ideological involvement in photography.

Shahn's reference to being "impressed with the work we were doing" suggests a deep sense of admiration and appreciation for the artistic endeavors within the realm of photography. This sentiment reflects his personal connection to the medium and his belief in the power of photography as a form of artistic expression. His use of the word "we" indicates that he was part of a collective effort, possibly working alongside other photographers or individuals who shared his passion for the art form.

Moreover, Shahn's mention of being "very involved ideologically in photography" underscores the significance of photography as a means of conveying ideas, perspectives, and social commentary. This ideological involvement aligns with Shahn's broader artistic philosophy, which often incorporated elements of social realism and activism. Throughout his career, Shahn used art as a platform to address social and political issues, and his ideological commitment to photography likely influenced the selection and presentation of photographs in the exhibition he organized.

The decision to arrange an exhibition at the College Art Association is indicative of Shahn's proactive engagement in promoting and showcasing photography as a legitimate and valuable art form. The College Art Association, as a respected institution within the art world, provided a platform for Shahn to share his passion for photography with a broader audience. By taking the initiative to organize an exhibition, Shahn demonstrated his commitment to elevating the visibility and significance of photography within the artistic community.

Shahn's role in curating the exhibition, particularly in "picking the photographs and so on," highlights his hands-on involvement in shaping the visual narrative and thematic content of the showcase. As an artist with a keen eye for composition and storytelling, Shahn likely approached the curation process with a deep understanding of how to effectively communicate through visual imagery. This involvement allowed him to infuse the exhibition with his artistic sensibilities and thematic interests, further underscoring the personal investment he had in the project.

The culmination of these efforts resulted in an exhibition in New York, a major cultural hub with a rich artistic heritage. The decision to host the exhibition in New York speaks to the significance of the city as a center for artistic innovation and exchange. By bringing the exhibition to New York, Shahn aimed to reach a diverse and influential audience, thereby amplifying the impact of the showcased photographs and solidifying their place within the broader artistic discourse.

In conclusion, Ben Shahn's quote provides a glimpse into his deep-seated passion for photography, his ideological commitment to the art form, and his proactive efforts to promote photography within the artistic community. His involvement in organizing an exhibition at the College Art Association reflects his dedication to showcasing the power and significance of photography as a means of artistic expression and social commentary. Through his words, Shahn offers valuable insight into the intersection of art, ideology, and the proactive promotion of photography as a legitimate and impactful medium.