Meaning: Ben Shahn, an American artist known for his social realist style, made the statement "I was brought in, not in the photographic department at all, I was brought in on a thing called Special Skills. I was to do posters, pamphlets, murals, propaganda in general, you know." This quote sheds light on Shahn's involvement in creating visual propaganda during a significant period in history.

During the 1930s and 1940s, Shahn was involved in creating art for the Works Progress Administration (WPA), a New Deal agency in the United States that employed millions of people to carry out public works projects, including the creation of artworks. Shahn, along with other artists, was commissioned to produce art that would reflect and promote the values and initiatives of the government during this time.

The quote reveals Shahn's specific role in the WPA, which was not in the photographic department but rather in the creation of visual materials that could be used for propaganda and public communication. This included posters, pamphlets, and murals, all of which were powerful mediums for conveying messages to the public.

Shahn's involvement in creating propaganda art is significant as it highlights the intersection of art and politics during a tumultuous period in American history. The WPA's art projects aimed to not only provide employment for artists and beautify public spaces but also to communicate government initiatives and foster a sense of national unity during the Great Depression and World War II.

Shahn's quote also raises questions about the role of artists in shaping public opinion and the ethical considerations of creating propaganda. While propaganda often carries a negative connotation, especially in the context of totalitarian regimes, during the WPA era, it was seen as a means of mobilizing public support for government programs and fostering a sense of national identity.

Shahn's work during this period often depicted themes of social justice, labor rights, and the struggles of ordinary people, reflecting the social realist movement's commitment to portraying the harsh realities of society. His art was not only aesthetically powerful but also served as a form of social commentary and advocacy for progressive causes.

In addition to his work with the WPA, Shahn's quote also sheds light on the broader role of artists in influencing public opinion and shaping historical narratives. Artists have long been involved in creating visual materials that convey political messages, whether in the form of propaganda, protest art, or social commentary. Shahn's statement underscores the responsibility that comes with using artistic skills for public communication and the potential impact that art can have on society.

Overall, Ben Shahn's quote provides insight into his role in creating visual propaganda during a pivotal period in American history. It prompts reflection on the intersection of art and politics, the ethical considerations of creating propaganda, and the power of art to shape public opinion and historical narratives. Shahn's legacy as an artist who used his "Special Skills" for public communication continues to resonate, reminding us of the enduring influence of art in society.