Meaning: The quote "I've talked with John Cale for two decades about what to do about La Monte, and how to get copies of our work" by Tony Conrad, an artist, provides insight into the collaborative and interconnected nature of the avant-garde music scene in the mid-20th century. This quote encapsulates the enduring relationships and conversations among influential experimental musicians and composers, shedding light on the complexities of artistic collaboration, preservation, and the value of creative output.

Tony Conrad, an American avant-garde artist, musician, and composer, was a key figure in the development of minimalist music and the experimental art scene. He was known for his innovative approach to music, film, and performance art, and his work often intersected with other notable artists and musicians of his time. The quote references his ongoing discussions with John Cale, a Welsh musician and founding member of the influential rock band The Velvet Underground, about the preservation and dissemination of their collaborative work with La Monte Young, a pioneering figure in the minimalist and drone music movements.

The mention of "La Monte" in the quote likely refers to La Monte Young, an influential composer known for his contributions to minimalism and avant-garde music. Young's work and collaborations with other artists, including Tony Conrad and John Cale, played a significant role in shaping the experimental music landscape of the 1960s and beyond. The quote suggests that Conrad, Cale, and possibly Young were engaged in ongoing discussions about how to manage and preserve their collective creative output, highlighting the importance of archiving and documenting their work for future generations.

The phrase "what to do about La Monte" implies that there may have been challenges or uncertainties surrounding the handling of Young's contributions or involvement in their collaborative endeavors. This could encompass a range of considerations, such as the distribution of recordings, the rights to the music, or the preservation of their artistic legacy. The quote reflects the complexities and nuances of artistic collaboration and the practical aspects of managing and preserving creative work within the avant-garde music community.

Furthermore, the reference to "how to get copies of our work" underscores the significance of documentation and dissemination in the context of experimental and avant-garde music. Given the unconventional and often ephemeral nature of this genre, the quote suggests a shared interest in ensuring that their collective output was accessible and preserved for posterity. This speaks to the importance of recording, archiving, and sharing experimental music, as well as the challenges associated with maintaining the integrity of these artistic expressions over time.

In summary, Tony Conrad's quote provides a glimpse into the ongoing conversations and considerations surrounding the preservation and dissemination of collaborative work within the avant-garde music scene. It reflects the enduring relationships and shared dedication to ensuring the legacy of their creative endeavors, shedding light on the interconnectedness of influential artists and the practical challenges of managing and preserving their artistic output.