Meaning: The quote by John Eaton, "Well, let me, first of all, say, that as a microtonal composer, I've never been much of a theorist," provides insight into the perspective of a composer working within the realm of microtonal music. To fully understand the significance of this quote, it is important to delve into the concepts of microtonal music and the role of theory in composition.

Microtonal music refers to music that uses intervals smaller than the conventional Western twelve-tone equal temperament. In other words, it explores the vast array of musical intervals that fall between the notes of the traditional Western scale. This departure from the standard tuning system allows for a rich and diverse sonic palette, offering composers and performers new possibilities for musical expression.

With the emergence of microtonal music, composers have been presented with the challenge of navigating a musical landscape that diverges from the familiar intervals and harmonic structures found in traditional Western music. This shift requires a reevaluation of the fundamental principles of music theory, as well as a reconsideration of the ways in which musical ideas are conceived and expressed.

In the context of Eaton's quote, his identification as a "microtonal composer" indicates that he is actively engaged in the exploration and utilization of microtonal intervals in his compositions. However, his statement that he has "never been much of a theorist" suggests that his approach to composition may prioritize intuition, experimentation, and personal expression over adherence to formal theoretical frameworks.

This perspective aligns with the idea that some composers, particularly those working in avant-garde or experimental music, may prioritize sonic exploration and innovation over strict adherence to traditional music theory. By distancing himself from the label of "theorist," Eaton may be expressing a preference for an intuitive, hands-on approach to composing, one that is driven by the desire to explore new sonic territories and push the boundaries of musical expression.

It is worth noting that this approach is not unique to microtonal composers; throughout the history of music, many innovative composers have operated outside the confines of established theoretical norms, choosing to trust their creative instincts and pursue novel sonic possibilities. This willingness to challenge the status quo and embrace unconventional approaches to music making has been a driving force behind the evolution of musical styles and techniques.

Eaton's statement also raises thought-provoking questions about the relationship between theory and practice in music composition. While music theory provides a valuable framework for understanding and analyzing music, it is not the sole arbiter of creative expression. The tension between theory and intuition is a perennial theme in musical discourse, and Eaton's quote offers a glimpse into the perspective of a composer who may prioritize personal exploration and innovation over theoretical conformity.

In conclusion, John Eaton's quote provides a window into the mindset of a composer working within the realm of microtonal music. By identifying as a microtonal composer while distancing himself from the label of "theorist," Eaton hints at a creative approach that prioritizes sonic exploration and personal expression over strict adherence to traditional music theory. This perspective underscores the diverse and dynamic nature of contemporary music composition, where composers continually push the boundaries of sonic possibility through a combination of intuition, experimentation, and innovative thinking.