Anyone can write a story based on the kind of horror where you see a guy in car and then there's the bad guy in the back seat. It's infantile to rely on that for telling a story. That's like going to bed and thinking there's a monster under your bed. It's silly.

Profession: Cartoonist

Topics: Car, Bed, Horror, Silly, Thinking,

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Meaning: Sergio Aragones, a renowned cartoonist, provides a thought-provoking perspective on the nature of horror storytelling in his quote. He criticizes the reliance on cliched and predictable tropes, such as the classic "guy in a car with a bad guy in the back seat" scenario, as being too simplistic and lacking in depth. Aragones suggests that this type of horror storytelling is infantile and compares it to the irrational fear of a monster under the bed. Through this analogy, he challenges writers to delve deeper into the complexities of horror and move beyond the superficial scares that may appeal to a broad audience but ultimately lack substance.

Aragones' critique can be seen as a call for originality and creativity in horror storytelling. He urges writers to explore new and innovative ways of evoking fear and unease in their audiences, rather than relying on tired and overused tropes. By doing so, Aragones suggests that storytellers can elevate the genre of horror and create more meaningful and impactful narratives that resonate with readers on a deeper level.

In essence, Aragones' quote serves as a reminder to aspiring writers and creators that the true essence of horror lies not in cheap thrills or jump scares, but in the exploration of human emotions, fears, and the unknown. It encourages them to push the boundaries of conventional horror storytelling and to craft narratives that are thought-provoking, psychologically unsettling, and emotionally resonant.

Aragones' critique of relying on simplistic horror tropes also speaks to the larger conversation about the evolution of the horror genre. As the genre continues to evolve, audiences and creators alike are seeking more sophisticated and nuanced narratives that challenge traditional conventions and offer fresh perspectives on fear and terror. This evolution reflects a growing appreciation for horror as a vehicle for exploring complex themes, societal anxieties, and the depths of human psychology.

Furthermore, Aragones' comparison of relying on cliched horror tropes to the irrational fear of a monster under the bed underscores the idea that effective horror storytelling should tap into deeper, more primal fears that resonate on a subconscious level. By delving into the psychological and existential aspects of fear, storytellers can create narratives that linger in the minds of audiences long after the initial shock has worn off.

In conclusion, Sergio Aragones' quote serves as a thought-provoking commentary on the nature of horror storytelling, challenging creators to move beyond simplistic and predictable tropes in favor of more original and thought-provoking narratives. It encourages writers to delve into the depths of human emotion, psychology, and societal fears to create horror stories that are truly impactful and enduring. As the horror genre continues to evolve, Aragones' words remind us of the potential for innovation and creativity in crafting narratives that resonate with audiences on a deeper level.

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